Tag Archives: The Vern

New Discoveries about Maya Civilization: Perfect timing for my next editing project

Way back in 2013 I managed to write an entire 1st draft during NaNoWriMo. I call it The Vern after an important religious figure in the book. The setting is inspired by the Maya, but I made up all the religious ceremonies etc based on another idea I had even longer ago. Anyway, the setting, temples, food, clothing, and architecture is all Maya-inspired.

I’ve recently decided this will be the next project I focus on after I finish writing Skyfall because the first draft is complete. The book I started writing during NaNo 2016 isn’t finished yet, so I decided to hold off on that one. My goal–and a steep one–will be to revise it by the end of the year. This is probably overly ambitious, but I can try.

So, when I heard on the radio that archeologists have discovered that the Maya civilization is much more extensive in area and dense in population than previously thought, I figured it was a sign I’d chosen the correct project to work on next. This is so exciting for me because what I’ve imagined for my book is actually closer to reality than I expected. I had to fudge some stuff (it’s fantasy, remember) to create the feeling I wanted for the setting, but now I’ll be closer to the truth which is always nice. The big discoveries I’m most interested in are:

  • denser population (3-4x what they thought), possibly 10 million people
  • cities connected by raised causeways! for trade and travel
  • massive farming and irrigation operations
  •  more interconnected fortifications and other evidence of war than they thought and from before they thought

All of this will help define the world of The Vern when I go back and start revising. I’m really hoping to focus on my setting this next draft and all this will help. I’m pretty good at societal structures and history in my world-building, but the actual physical details are more difficult for me.

 

When you read that NaNo novel you wrote two years ago for the first time…

I’ve started rereading The Vern (not the real title) one of my NaNo projects from 2013, the year I went insane and racked up 130,000 words in 30 days. I’m looking at it for a couple of reasons:

  1. I need something else (other than Autocrit) to focus on while my queries for Dakotashi One are out there in agent-land (I don’t have anything at the right stage to start writing).
  2. If I go through all the agents who represent fantasy that I can find and none bite on Dakotashi, I’ll need something else to send them.
  3. The Vern fits some of the wish-list criteria I’ve seen: multicultural, non-European setting.
  4. It’s a cool story/setting/characters that I definitely wanted to get back to anyway at some point.

It’s a weird experience. It’s both better and worse than I thought. I don’t remember all that happens, so I’m enjoying the story and characters, but I also notice all these things that need to be worked on. Everything needs to be tightened, of course—NaNo right? But while so far I think the plot & characters are good, I’m narrating/telling way too much. The characters are on a journey so there a lot of jumping around (to avoid unending travel through rainforests where nothing happens), but the scenes are too short (because of the narration/telling) to really ground the reader before jumping again. So I’ll need to find ways to be more present in the moment and expand the scenes without focusing too much on mundane journey stuff that doesn’t really matter.

I also discovered that one of my main characters reminds me of Dakotashi in that she has a rich & violent backstory. I have been thinking recently about how while I love flashbacks on TV, I tend to dislike them when I’m reading. I made the decision not to use flashbacks for Dakotashi, despite his rich and relevant backstory, for this reason. However, I’m thinking now that maybe they’ll work in this story.

I’ve always wanted Dakotashi’s history to be somewhat mysterious and vague. His story affects his emotions more than anything else. For Amber, one of my main characters in The Vern, her story not only affects her emotions, but the plot and her relationships with other characters. Anyway, I am at least considering using flashbacks for her.

In the meantime, I will continue to think about how to show all these scenes better. The Vern is going to require a lot of work, but maybe not as much scene moving/combining/rewriting as Dakotashi One. Wish me luck!